Detailed Bibliography of Dorothy Richardson

Works by Richardson

1.1. Manuscripts
1.2. Novels
1.3. Short Stories
1.4. Poems
1.5. Non-Fiction Books
1.6. Translations by Dorothy M. Richardson
1.7. Prefaces and Forewords
1.8. Contributions to Periodicals
1.8.1. Reviews
1.8.2. Essays
1.8.3. Sketches
1.8.4. Translations from Periodicals
1.9. Autobiography, Correspondence, and Miscellanea
1.9.1. Autobiography and Miscellanea
1.9.2 Correspondence
1.10 Reprints of Shorter Works by DMR

1.1 Manuscript Collections

The manuscripts of Pointed Roofs and March Moonlight are held at the Beinecke Rare Book and Manuscript Library, Yale University.

The manuscript of Dimple Hill is held at the Harry Ransom Humanities Research Centre, University of Texas at Austin.

The manuscript of Dawn's Left Hand is held in the Special Collections of the McFarlin Library, University of Tulsa.


The Beinecke Library at Yale University, New Haven, Connecticut, holds the largest collection of Richardson papers. There are further items of interest in the Bryher (Winifred Ellerman) papers and in the H.D. (Hilda Doolittle) papers.

Richardson Papers

The online catalogue documents all the holdings in great detail. They contain: the largest holding of her correspondence; correspondence by others about her; autobiographical and biographical information; clippings of her journalism and book reviews; photographs; various manuscripts and typescripts of her writings; and the manuscripts of Pointed Roofs and March Moonlight. There are also a couple of drawings by Alan Odle.

H.D. Papers

Again fully documented in the online catalogue. These include letters and postcards from Richardson to H.D. and handwritten notes on Dorothy Richardson and Alan Odle.

Bryher Papers

These include: correspondence between Richardson and Bryher; biographical material on Richardson; two letters to H.D; Havelock Ellis's letters to Bryher which have a brief discussion of the Trap; clippings of articles and published letters about Alan Odle and Richardson; clippings of reviews of the 1967 edition; a few photographs from Alan Odle and Richardon's trip to Switzerland.

Louise Morgan-Otto Theis Papers

These include: letters from Richardson to Louise Morgan and Otto Theis; letters from Robert McAlmon about Richardson; correspondence between Louise Morgan and Rose Odle; Morgan's memories of Bryher including an account of Richardson at one of Bryher's parties; handwritten notes on Richardson by Louise Morgan; two photograph of paintings by Adrian Allinson. There are various publications and clippings about Richardson that came out after her death. Amongst the papers is copy of the Newsletter of the Conference on Literature and Psychology of the Modern Language Association, Vol. IV, February 1954, No.1., which include a brief report on Richardson from by Joseph Prescott, Department of English, Wayne University, Detroit.

Robert McAlmon Papers

These include ten letters from Richardson to McAlmon.

The Beinecke also includes a copy of John Reeves Ellerman's Why Do They Like It, which has a foreword by Richardson; and three letters from her sister Jessie Hale about Richardson written after her death.


The Henry W. and Albert A. Berg Collection, New York Public Library holds: Letters from Richardson to 'Owen Wadsworth' (Percy Beaumont Wadsworth); to Flora Wadsworth Coates; to Edward Sackville-West; to J. B. Pinker; articles by Richardson in Focus: a Periodical to the Point in Matters of Health, Wealth, & Life.



The British Library, holds letters from Richardson to E.B.C. Jones, S.S. Kotielansky, Robert Nichols, Geoffrey West.


Cambridge University Library holds letters from Richardson to Alan Steele.


The Columbia University Rare Book and Manuscript Library holds a letter from Richardson to Donald Leman Clark and a letter to Lita Hornick.


The Schlesinger Library, Radcliffe Institute, Harvard University holds typed notes (copies) regarding childhood memories by Richardson's sister Jessie Hale; a typed copy of a letter to Jessie, 1944; two letters from Jessie Hale; and a letter to Charlotte Perkins Gilman about her book Women and Economics.


The Hertfordshire Archives and Local Studies County Hall, Hertford, UK holds a letter from Richardson to Lady Ethel Desborough.


The Rare Book and Manuscript Library, University of Illinois at Urbana Champagne holds 3 letters from Amy Catherine Wells, H.G. Well's second wife and old schoolfriend of Richardson's; 1 letter from H. G. Wells to Richardson; 1 telegram from Richardson to H. G. Wells.


The International Institute of Social History, Amsterdam. Netherlands holds 5 letters from Richardson to Charles Daniel.


The Special Collections Department, University of Iowa Libraries, Iowa City, IA holds 1 letter from Richardson to Grace Tomkinson; 4 letters to Ogden Heath; 3 postcards and 2 letters to Ferner Nuhn; 5 letters to Ruth Suckow; 1 letter to Ruth Suckow and Ferner Nuhn.


The The Lilly Library, Indiana University, Bloomington, Indiana holds 1 letter to Louis Untermeyer; and 1 pc and 1 letter to Josephine K. Piercy including typewritten account of Richardson's method.


The Harry Ransom Research Center, University of Austin, Texas

Summary of Holdings The second most important collection of Richardon papers, the centre holds a manuscript copy of Dimple Hill. Letters include Richardson's letters to Vincent Brome about H.G. Wells. Richardson's letter to PEN soliciting support for Robert Neumann, a refugee from the Nazis in 1933. All correspondence relating to the Richardson's American publishers A. A. Knopf Inc. is held in the Alfred A. Knopf Inc. Collection. The papers relating to Kay Dick's yield some fascinating biographical information about Richardson's final years. There is also a handwritten essay by Edith Sitwell and notes by the journalist, Kay Dick and the French philosopher, Gabriel Marcel. The collection now also includes boxes of material donated by Harold Fromm, which includes correspondence between Gloria Fromm, Richardson's biographer and friends and relatives of Richardson. Full details can be found at Harold Fromm's website.

Manuscripts Richardson manuscripts 1 autograph manuscript with revisions of Dimple Hill dated 1 November 1935 at 'Rose Cottage' pp.126. 1 proof copy pp.152.

Documents relevant to Richardson Rolfe Arnold Scott-James, 'Dorothy Richardson', typed manuscript. pp.6. Edith Sitwell, 'Three Women Writers: Katherine Mansfield, Dorothy Richardson, and Gertrude Stein' (cross-reference), autograph essay in notebook. The publisher's record for Pilgrimage can be found in the A. A. Knopf Collection, Folder 962.2. Clippings of reviews of the 1967 edition (cross reference to bibliography) of Pilgrimage are in the A. A. Knopf Collection, Folder 1451 Clipping of Leon Edel, 'Feminine Realist', in Kay Dick Papers, Subseries C, Folder 10.11. Kay Dick and Kathleen Farrell, 'Notes on Dorothy Richardson', autograph notes in Kay Dick Papers, Subseries C, Folder 10.12 - fascinating account of interviews with Rose Odle, which suggest that Richardson had been moved under protest to a nursing home. Gabriel Marcel, the French existentialist philosopher, 'Notes sur Dorothy Richardson', detailed notes on the 1938 edition. An autograph manuscript of V. S. Pritchett's review of Pilgrimage and a typed carbon copy of the same.

Letters from Richardson Terence Ian Fytton Armstrong (1item) Vincent Brome (24 items) Isidore Rosenbaum Brussel, the 'book scout' (I. R. Brussel Papers, Folder 1.6) Thomas Burke (1 item) Curtis Brown, the literary agent (13 items including 1 letter to the International Publishers Bureau) Rupert Croft-Cooke, the writer (5 items) Alyse Gregory (1 item) Joseph Maunsell Hone (Yeat's biographer) (1 item) Frederick C. Joiner (11 items) Edward Garnett, the literary agent (8 items) Compton Mackenzie (4 items) Louise Morgan "Louise Theis" (6 items) John Middleton Murry, editor of The Adelphi (3 items) Claude Houghton Oldfield, the author 'Claude Houghton' (10 items) PEN (3 items) Rolfe Arnold Scott-James (1 item) Hugh Walpole (9 items) Geoffrey West - filed as G. H. Wells (2 items and Richardson's reply to West's questionnaire) Correpondence between Richardson and A. A. Knopf Inc., 1922-1949 in the Alfred. A. Knopf Inc. Collection, Folder 665.1.

Letters to Richardson Hermon Ould, the secretary of the international PEN club (3 items)

Letters relevant to Richardson Alan Odle to Isidore Rosenbaum Brussel (I. R. Brussel Papers, Folder 1.3) Rose Odle to Jacob Schwartz re the Richardson manuscripts Bryher to John Lehmann (2 items) Richard Church to Henry Major Tomlinson (1 item) Correspondence relating to the 1967 edition of Pilgrimage can be found in the Alfred A. Knopf Collection Folders 473.1, 489.9, 865.3. Other correspondence from the Knopf Collection from after Richardson's death in 1957 can be found in Folders 242.8, 423.4. Correspondence between Kay Dick and Rose Odle about Richardson and her papers, Kay Dick Papers, Subseries C, Folder 10.11 Rose Odle to Edward Nehls, biographer of Lawrence (1 item) Alan Odle to Charles Houghton [Oldfield], which George H. Thomson dates as from WII. These give Interesting insights into Alan Odle's aesthetic outlook. Some of the letters include annotations and comments from Richardson.


The University of Manchester Library Special Collections hold 3 letters from Richardson to Richard Church.


The The National Library of Ireland holds a letter from Richardson to Sheila Wingfield.


The Paterno Library, Pennsylvania State University holds: Letters from Richardson to 'Owen Wadsworth' (Percy Beaumont Wadsworth); to Flora Wadsworth Coates; to Edward Sackville-West; to J. B. Pinker; articles by Richardson in Focus: a Periodical to the Point in Matters of Health, Wealth, & Life.


The Firestone Library, Princeton University holdscorrespondence with Stanley Kunitz and Sylvia Beach. Also correspondence between J. M. Dent and Sons and Sylvia Beach and various reviews.


The The Fondren Library, Rice University holds letters to Curtis Brown, representative of the International Publishing Bureau.



The Special Collections, McFarlin Library, The University of Tulsa, Tulsa, OK.

The library's holdings are organized into three series:

Series 1: Correspondence, 1928-1952, arranged alphabetically by surname, consists of 57 autograph letters and cards, as well as typescript transcriptions of letters, from Richardson to Eliot Bliss, Peggy Kirkcaldy, Rose Odle, and John Hinsdale Thompson; one typescript transcription of a letter from John Cowper-Powys to Richardson; one typescript transcription of a letter from Phyllis Cowper-Powys to Rose Odle; thirteen autograph and typescript letters and postcards from H. G. Wells to Richardson; one autograph letter from Miriam Grossman to Leon Edel; and one autograph transcription of an excerpt of a letter from Rose Odle to Leon Edel.

Series 2: Writings, 1909-1959, arranged alphabetically by title, consist of the manuscript for Richardson's novel Dawn's Left Hand, typescript and carbon copy typescript transcriptions of articles by Richardson, reminiscences of Richardson by Elizabeth Odle Turner and Pauline Marrian, and a checklist and annotated bibliography by Gloria Glikin. Also included in this series is the draft autobiographical work, Adrian Allinson: A Painter's Pilgrimage, heavily annotated by Richardson, together with twenty-eight poems and a lecture by Allinson, again with annotations by Richardson.

Series 3: Miscellaneous materials consist of a pocket notebook belonging to Leon Edel and photocopied press cuttings relating to Richardson.

Additional correspondence can be found at: the Brotherton Library, Leeds University; the Geoffrey Meany Memorial Archives, National Labor College, Silver Spring, MD; University of Reading Library; Surrey Historical Service, County Archive, Working, Surrey, UK; Special Collections, Syracuse University Library; Washington University Libraries, St Louis, Missouri; Porter Library, Special Collections, University of Waterloo, Waterloo, ON. For full details see George H. Thomson, Dorothy Richardson: A Calendar of Letters. ELT Press, E-Book, 2007.

1.2. Novels

1.2.1 British First Editions

  • 1915. Pointed Roofs. Introduction by J.D. Beresford. London: Duckworth.
  • 1916. Backwater. London: Duckworth.
  • 1917. Honeycomb. London: Duckworth.
  • 1919. The Tunnel. Introduction: "The novels of Dorothy Richardson by May Sinclair. Extracts from an article published in The Egoist April 1918." London: Duckworth, [February].
  • 1919. Interim. London: Duckworth, [December].
  • 1921. Deadlock. London: Duckworth.
  • 1923. Revolving Lights. London: Duckworth.
  • 1925. The Trap. London: Duckworth.
  • 1927. Oberland. London: Duckworth.
  • 1931. Dawn's Left Hand. London: Duckworth.
  • 1935. Clear Horizon. London: J.M. Dent & The Cresset Press.

1.2.2. British Collected Editions

  • 1938. Pilgrimage. 4 vols. [includes author's foreword and Dimple Hill for the first time]. London: J.M. Dent & The Cresset Press.
  • 1967. Pilgrimage. 4 vols. [includes March Moonlight for the first time]. Introduction by Walter Allen. London: J.M. Dent.
  • 1979. Pilgrimage. 4 vols. Introduction by Gillian Hanscombe. London: Virago.

1.2.3. American Editions

  • 1916. Pointed Roofs. Introduction by J.D. Beresford. New York: A.A. Knopf.
  • 1917. Backwater. New York: A.A. Knopf.
  • 1919. Backwater. New edition. New York: A.A. Knopf.
  • 1919. Honeycomb. New York: A.A. Knopf.
  • 1919. Pointed Roofs. Introduction by May Sinclair. New York: A.A. Knopf.
  • 1919. The Tunnel. New York: A.A. Knopf.
  • 1920. Interim. New York: A.A. Knopf.
  • 1921. Deadlock. Foreword by Wilson Follett. New York: A.A. Knopf.
  • 1923. Revolving Lights. New York: A.A. Knopf.
  • 1925. The Trap. New York: A.A. Knopf.
  • 1928. Oberland. New York: A.A. Knopf.
  • 2014. Pointed Roofs. Edited by Stephen Ross and Tara Thomson. Introduction by Stephen Ross. Peterborough, Ontario: Broadview.
  • 2014. The Tunnel. Edited by Stephen Ross and Tara Thomson. Introduction by Stephen Ross. Peterborough, Ontario: Broadview.

1.2.4 American Collected Editions

  • 1938. Pilgrimage. 4 vols. [includes Dimple Hill]. New York: A.A. Knopf.
  • 1967. Pilgrimage. 4 vols. [includes March Moonlight]. Introduction by Walter Allen. New York: A.A. Knopf.
  • 1976. Pilgrimage. 4 vols. New York: Popular Library.
  • 1989. Pilgrimage. Vol. 1: Pointed Roofs, Backwater, Honeycomb. Reprinted from Virago edition, 1979. Urbana: University of Illinois Press.

1.2.5. Translations of the Novels
Pointed Roofs. Introd. and Notes Junzaburo Nishiwaki. Tokyo: Kenkyusha, 1934.
Pointed Roofs. Trans. Marcelle Sibon. Paris: Mercure de France, 1965.
Eau Morte. Pélerinage II: Roman. [Backwater.] Trans. Pierre Leyris. Arles: Editions Bernard Coutoz, 1989.
Impasse: Roman. [Deadlock.] Trans. by Françoise Defromont. Paris: Les Belles Lettres, 1992.
Die Schatten der Giebel. [Pointed Roofs]. Trans. Clara Munk. Schligenstadt: Mühlbach, Huk., 1993.

1.2.6. Serialisations and Extracts
Interim. Serialised in Little Review: VI (June 1919): 3-25, (July): 11-24, (Aug.): 5-28, (Sept.): 56-61, (Oct.): 38-54, (Nov.): 34-38, (Dec.): 20-28; VI (Jan. 1920): 37-48, (Mar.):17-26, (Apr.): 26-34; VII (May-June 1920): 53-61.
"Work in Progress." [Selection from The Trap]. Contact Collection of Contemporary Writers. Paris: Contact, 1925: 217-236.
"Sleigh Ride." [Selection from Oberland]. Outlook, 58 (11 Dec. 1926): 588.
"Two Selections from Clear Horizon." Signatures: Work in Progress, 1 (Spring 1936): 67-86.
"Work in Progress." Life and Letters, 49 (Apr. 1946): 20-44.
"Work in Progress." Life and Letters, 49 (May 1946): 99-114.
"Work in Progress." Life and Letters, 51 (Nov. 1946): 79-88.

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1.3 Short Stories
"Sunday." Arts and Letters, ns 2 (Summer 1919): 113-115.
"Christmas Eve." Arts and Letters, ns 3 (Winter 1920): 32-35.
'Death', The Weekly Westminster, (new series), vol. 1, no. 15 (9 February 1924): 466.
"Short Story: In the Garden." The Queen, 2 July 1924:11.
"Ordeal." The Window: A Quarterly Magazine, vol.1 no.4 (Oct. 1930): 2-9.
"Nook on Parnassus." Life and Letters To-day, 13 (Dec. 1935): 84-88.
"Tryst." English Story, 2nd ser. 1941: 69-73.
"Haven." Life and Letters To-day, 42 (Aug. 1944): 97-105.
"Excursion." English Story, 6th ser. 1945: 107-112.
"Visitor." Life and Letters, 46 (Sept. 1945): 167-172.
"Visit." Life and Letters, 46 (Sept. 1945): 173-181.
"A Stranger About." English Story, 9th ser. 1949: 90-94.

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1.4. Poems

  • 1923. "It is Finished." The Weekly Westminster, vol. 2, no. 60 (April 7): 17.
  • 1923. "Barbara." Sphere XCV (October 13): 46.
  • 1924. "Truth." The Weekly Westminster (new series), vol. 1, no. 10 (January 5): 316.
  • 1924. "Helen." Golden Hind II (April): 31.
  • 1924. "Waiting." Poetry, vol. 24, no. 3 (June): 142–144.
  • 1924. "Buns for Tea." Poetry, vol. 24, no. 3 (June): 144–145.
  • 1924. "Discovery." Sphere XCVIII (August 2): 142.
  • 1924. "Disaster." Adelphi II (September): 277.
  • 1925. "Three Poems: Sussex—Discovery—Barbara." Poetry, vol. 27, no. 11 (November): 67–69.
  • 1925. "Spring Upon the Threshold." Sphere C (March 28): 350.
  • 1927. "Message." Outlook LIX (January 8): 28.
  • 1928. "Gift." Outlook LXI (June 2): 678.
  • 1930. "Afternoon Tea." The Queen, December 28, 13.
  • 1940. "Nor Dust Nor Moth." American Mercury L (May): 111.
  • 1942. "Dark Harmony." Spectator CLXIV (December 18): 573.

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1.5. Non-Fiction Books
The Quakers: Past and Present. London: Constable; New York: Dodge, [Feb.] 1914.
Gleanings from the Works of George Fox. London: Headley Brothers, [May] 1914.
John Austen and the Inseparables. Fwd. and Decorations by John Austen. London: William Jackson, 1930.
Two different editions were published: (a) printed on 'ordinary paper'. Sold for 3s 6d; (b) 125 copies printed on handmade paper. These are signed by both Austen and Richardson. Sold as the 'edition de luxe' for 10s 6d.

1.6. Translations by Dorothy M. Richardson
Dorothy Richardson's name appears as translator on each title-page.
Consumption Doomed: A Lecture on the Cure of Tuberculosis by Dr Paul Carton. Healthy Life Booklets. Vol. 7. London: C.W. Daniel, 1913.
Some Popular Foodstuffs Exposed by Dr Paul Carton. Healthy Life Booklets. Vol. 11. London: C.W. Daniel, 1913.
Man's Best Food by Professor Dr Gustav Krüger. London: C.W. Daniel, 1914.
The Du Barry by Karl von Schumacher. [Madame DuBarry. Zurich, 1931]. London: Bombay & Sydney; George.G. Harrap, 1932; New York: Harcourt, Brace, 1932.
Mammon by Robert Neumann. [Die Macht. Leipzig, 1931; Berlin, 1932] London: Peter Davies, 1933.
André Gide: His Life and His Work by Léon Pierre-Quint. [André Gide: Sa Vie. Son Oeuvre. Paris, 1932]. London: Jonathan Cape; New York: A.A. Knopf, 1934.
Jews in Germany by Josef Kastein [pseud. Julius Katzenstein]. Preface by James Stephens. London: Cresset Press, 1934.
Silent Hours by Robert de Traz. [Les heures de silence. Paris, 1934] London: G. Bell, 1934.
"Prayer." Life and Letters To-day, 21 (June 1939): 7

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1.7. Prefaces & Forewords
Black, E. L. (pseud. Ellerman, John Reeves). Why Do They Like It Educational Documents 1. Paris: Shakespeare and Co.,1927: ix-x. Dumas, François Ribadeau. These Moderns: Some Parisian Close-Ups. Trans. Frederic Whyte. London: Humphrey Toulmin, 1932: 5-10. "Foreword." Pilgrimage. London: Dent; New York: A.A. Knopf, 1938: 9-12.

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1.8.1. Reviews
1906. "Days with Walt Whitman." Crank 4 (August): 259–263.
1906. "The Reading of 'The Jungle'." Crank 4 (September): 290–293.
1906. "Jesus in Juteopolis." Crank 4 (October): 331–332.
1906. "The Amazing Witness." Crank 4 (October): 332–334.
1906. "In the Crank's Library: 'In the Days of the Comet' [by H.G. Wells]." Crank 4 (November): 372–376.
1907. "How We Are Born." Ye Crank 5 (January): 44–47.
1907. "The Future in America." Ye Crank and the Open Road 5 (February): 95–99.
1907. "A Sheaf of Opinions: Lowes Dickinson's A Modern Symposium." Ye Crank and the Open Road 5 (March): 153–157.
1907. "A French Utopia." Ye Crank and the Open Road 5 (April): 209–214.
1907. "Down with the Lords." Ye Crank and the Open Road 5 (May): 257–261.
1907. "Notes About a Book Purporting to Be About Christianity and Socialism." Ye Crank and the Open Road 5 (June): 311–315.
1907. "Nietzsche." Open Road, ns 1 (November): 243–248.
1907. "Towards the Light." Open Road, ns 1 (December): 304–308.
1912. "New Light on a Familiar Path-Way." Review of Hereward Carrington, The Natural Food of Man. The Healthy Life (June): 219–221.
1912. "A Book for Women––And Men." Review of Dr Rabagliati, Conversations with Women Regarding their Health and that of their Children. The Healthy Life (August): 59–61.
1912. "Short Reviews." Reviews of Edmund J. Hunt, Man and His Food, F. J. Cross, How I lived on Threepence a Day, Oyler, Simple Rules of Health. The Healthy Life (October).
1913. "Cosmic Thinking." [unsigned] Plain Talk (July): 13.
1913. "Slavery." [unsigned] Plain Talk (July): 13–14.
1914. "The Origin and Value of Sea-Salt." Review of P. Carton, Origine Vitale et Rôle Alimentaire du Sel Marin. The Healthy Life (March): 87–88.
1917. "The Reality of Feminism." The Ploughshare, ns 2 (September): 241–246.
1918. "A Spanish Dentist Looks at Spain." Dental Record 38 (August 1): 343–345.
1920. "Review of Psycho-Analysis: A Brief Account of the Freudian Theory by Barbara Low." Dental Record 40 (August 2): 522–523.
1921. "The Perforated Tank." Fanfare 1 (October 15): 29.
1924. "A Sculptor of Dreams." Adelphi 2 (October): 422–427.
1928. "Portrait of an Evangelist." New Adelphi 1 (March): 270–271.
1928. "Das Ewig-Weibliche." New Adelphi 1 (June): 364–366.
1929. "Mr. Clive Bell's Proust." New Adelphi 2 (December–February): 160–162.
1929. "Review of Experiments with Handwriting by Robert Saudek." New Adelphi 2 (June–August): 380.
1930. "The Return of William Wordsworth." Adelphi [Review Supplement], ns 1 (December): xvi–xix.
1931. "Man Never Is...." Adelphi, ns 1 (March): 521–522.
1933. "Review of Documents 33, Apr.–Aug." Close-Up 10 (September): 295–296.
1936. "Novels." Life and Letters To-day 15 (Winter): 188–189.
1939. "Adventure for Readers." Life and Letters To-day 22 (July): 45–52.

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1.8.3. Sketches
"A Sussex Auction." [unsigned] The Saturday Review, 105 (13 June 1908); 755.
"A Sussex Carrier." [unsigned] The Saturday Review, 107 (19 June 1909): 782-783.
"Hay-Time." [unsigned] The Saturday Review, 108 (31 July 1909): 132.
"A Village Competition." [unsigned] The Saturday Review, 108 (7 Aug. 1909): 165-166.
"Haven." [unsigned] The Saturday Review, 108 (4 Dec. 1909): 440-441.
"The Wind." [unsigned] The Saturday Review, 108 (4 Dec. 1909): 691.
"December." [unsigned] The Saturday Review, 108 (25 Dec. 1909): 785-786.
"The End of the Winter." [unsigned] The Saturday Review, 109 (19 Feb. 1910): 234-235.
"Lodge Night." [unsigned] The Saturday Review, 110 (19 Nov. 1910): 642-643.
"Dans La Bise." [unsigned] The Saturday Review, 111 (14 Jan. 1911): 46-47.
"Gruyeres." [unsigned] The Saturday Review, 111(18 Feb. 1911): 208-209.
"March." [unsigned] The Saturday Review, 111 (4 Mar. 1911): 267.
"The Holiday." [unsigned] The Saturday Review, 112 (26 Aug. 1911): 268-269.
"The Conflict." [initialled] The Saturday Review, 112 (25 Nov. 1911): 673-674.
"Across the Year." The Saturday Review, 112 (23 Dec. 1911): 795-796.
"Welcome." The Saturday Review, 113 (18 May 1912): 620-621.
"Strawberries." The Saturday Review, 113 (22 June 1912): 778-779.
"August." The Saturday Review, 114 (3 Aug. 1912): 142.
"Peach Harvest." The Saturday Review, 114(19 July 1913): 78-79.
"Dusk." Unsigned. The Saturday Review, 118 (10 Oct. 1914): 392-393.
"The Garden." transatlantic review, 2 (Aug. 1924): 141-143.

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1.8.4. Translations from Periodicals
Continuous Performance/Spettacolo continuo. Introduction, edition and translation with parallel text of the essays on cinema which Richardson published in Close Up by Vittoriana Villa. Napoli: Liguori, 2000.

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1.9. Autobiography and Miscellanea, Published Correspondence

1.9.1 Autobiography and Miscellanea
"The Human Touch." The Saturday Review, 109 (4 June 1910): 724.
"Future of the Novel." Interview. Pall Mall Gazette, 20 Jan. 1921: 7.
Letter of congratulation in "The Fanfare Movement." Fanfare: A Musical Causerie, 1 (10 Oct. 1921): 1.
"Equilibrium." Little Review, 8 (Spring 1922): 37.
Note to editors. Little Review, 12 (May 1929): 31.
"Confessions." Reply to questionnaire from the editors. Little Review, 12 (May 1929): 70-71.
"Beginnings: A Brief Sketch." Ten Contemporaries: Notes Toward Their Definitive Bibliography. 2nd Ser. Ed. John Gawsworth [pseud of Terence Armstrong]. London: Joiner & Steele, 1933: 195-198.
"The Artist and the World To-Day (A symposium in which various writers define their position in relation to the life and conditions of our time)." Ed. Geoffrey West. Bookman [London], 86 (May 1934): 94.
"Autobiographical Sketch." Authors Today and Yesterday. Ed. Stanley J. Kunitz. New York: H.W. Wilson, 1933: 562.
"Dorothy M. Richardson: Data for Spanish Publisher." Ed. Joseph Prescott. London Magazine, 6 (June 1959): 14-19. DMR's recollections of her life until the writing of Pilgrimage, intended for a Spanish edition of her novel. The translation never appeared.

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1.9.2 Published Correspondence
"South Lodge Days." [2 letters] Times Literary Supplement, 16 Oct. 1943: 499; 30 Oct. 1943: 523. Letters in which DMR responds to erroneous facts about Violet Hunt in a book by Douglas.
"Seven Letters from Dorothy M. Richardson." Ed. Joseph Prescott. Yale University Library Gazette, 33 (Jan. 1959): 102-111. Texts of seven letters Prescott received during 1950-51 while compiling a biographical article on DMR.
"A few facts for you...." Letter to Sylvia Beach dated 15 Jan. 1935. Sylvia Beach (1887-1962). [Paris]: Mercure de France, 1963:127-128.
Windows on Modernism: Selected Letters of Dorothy Richardson. Ed. Gloria G. Fromm. Athens: University of Georgia Press, 1995.
Reviewed: Cassel, J. Library Journal 120.4 (1995): 74. Felber, L. English Literature in Transition 1880-1920 39.1 (1996): 73-77.
Thomson, George H. "Dorothy Richardson: Letters to a Sister in America ", English Literature in Transition 43.4 (2000): 410-448.
Thomson, George H. "Dorothy Richardson and her sister: more letters and biography", English Literature in Transition 45.1 (2002): 46-64.
Thomson, George H. Dorothy Richardson: A Calendar of Letters. ELT Press, E-Book, 2007.
See also Daniels, Julie Kay. 'I am not "literary" Henry': An Edition of Dorothy Miller Richardson's Letters to Henry Savage, MA Thesis, 1984, The Graduate School, Department of English, Pennsylvania State University.
Powys and Dorothy Richardson: The Letters of John Cowper Powys and Dorothy Richardson. Ed. Janet Fouli. London: Cecil Woolf, 2008.

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1.10. Reprints of Shorter Works by Dorothy M. Richardson
"Future of the Novel." [Pall Mall Gazette] 1921. The Future of the Novel: Famous Authors on Their Methods: A Series of Interviews with Renowned Authors. Ed. Meredith Starr. Boston: Small, Maynard & Co., 1921: 90-91.
"Death." [Short Story] 1924. Best British Stories of 1924. Eds. Edward J. O'Brien & John Cournos. Boston: Small, Maynard, 1924: 218-220.
"Truth." [Poem] 1924. Rpt. as "Freedom" in Moden British Poetry: A Critical Anthology. Rev. ed. Louis Untermeyer. New York: Harcourt Brace, 1925: 312.
"Buns for Tea." [Poem] 1924. Yesterday and Today: A Comparative Anthology of Poetry. Ed. Louis Untermeyer. New York: Harcourt Brace, 1926: 152-153.
"Message." [Poem] 1927. Poetry 30 (Aug. 1927): 256.
"Ordeal." [Short Story] 1930. Best British Short Stories of 1931 Ed. Edward J. O'Brien. New York: Dodd, Mead, 1931: 183-189.
"Buns for Tea." [Poem] 1924. Verse of Our Day. Rev. ed. Eds. Margery Gordon & M.B. King. New York & London: Appleton-Century, 1938: 284.
"Foreword." [Pilgrimage.] 1938. The Stream-of-Consciousness Technique in the Modern Novel. Ed. Erwin R. Steinberg. New York & London: Kennikat Press, 1979: 77-80.
"Autobiographical Sketch." 1933. The Stream-of-Consciousness Technique in the Modern Novel. Ed. Erwin R. Steinberg. London & New York: Kennikat Press, 1979: 76-77.
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"From 'In the Crank's Library: In the Days of the Comet' [by H.G. Wells]." [Review] 1906. The Gender of Modernism: A Critical Anthology. Ed. Bonnie Kime Scott. Bloomington & Indianapolis: Indiana University Press, 1990: 399-400.
"The Reality of Feminism." [Essay] 1917.The Gender of Modernism: A Critical Anthology. Ed. Bonnie Kime Scott. Bloomington & Indianapolis: Indiana University Press, 1990: 401-407.
"Talent and Genius." [Essay] 1923. The Gender of Modernism: A Critical Anthology. Ed. Bonnie Kime Scott. Bloomington & Indianapolis: Indiana University Press, 1990: 407-411.
"Women and the Future." [Essay] 1924. The Gender of Modernism: A Critical Anthology. Ed. Bonnie Kime Scott. Bloomington & Indianapolis: Indiana University Press, 1990: 411-414.
"About Punctuation." [Essay] 1924. The Gender of Modernism: A Critical Anthology. Ed. Bonnie Kime Scott. Bloomington & Indianapolis: Indiana University Press, 1990: 414-418.
"Women in the Arts." [Essay] 1925. The Gender of Modernism: A Critical Anthology. Ed. Bonnie Kime Scott. Bloomington & Indianapolis: Indiana University Press, 1990: 419-423.
"Continuous Performance: The Film Gone Male." [Essay] 1939. The Gender of Modernism: A Critical Anthology. Ed. Bonnie Kime Scott. Bloomington & Indianapolis: Indiana University Press, 1990: 423-429.
"Foreword to Pilgrimage." 1938. The Gender of Modernism: A Critical Anthology. Ed, Bonnie Kime Scott. Bloomington & Indianapolis: Indiana University Press, 1990: 429-432.
"Novels." [Essay] 1948. The Gender of Modernism: A Critical Anthology. Ed. Bonnie Kime Scott. Bloomington & Indianapolis: Indiana University Press, 1990: 432-435.
"Death." [Short story] 1924. The Norton Anthology of Literature by Women: The Traditions in English. 2nd ed. Ed. Sandra M. Gilbert and Susan Gubar. New York & London: W.W. Norton, 1996: 1257-1259.
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